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Photography, Painting, Video, Studio Visit

  • Andrea Clausen in my Studio, 2006, Staged photoshooting in the foyer of the Burgtheater, 2006

    Photomontage (l), colour photograph behind plexiglas (r)

    photo credits: ©Ilse Haider

  • Athletes in my Studio (l), 2006, Poster design for international Women’s Day (r), 2011

    Photograph (l), photomontage, typography by Nina Ober (r)

    photo credits: ©Ilse Haider

  • Here you come again, 2006

    Video performance with Rosemarie Brucher (3min), camera: Momo Pröll

    Recorded and shown at the Galerie Steinek, Mr. Big, Vienna, 2006, video credits: ©Ilse Haider

  • Shift of Attention, 2001

    80 x 65cm, colour photograph behind plexiglas

    Renée Stieger-Reuter at the Tabakwerke, University of Arts, Linz, photo credits: ©Ilse Haider

  • Barbara and Peter, 1988

    40 x 30 x 8cm, photographic emulsion on plaster

    photo credits: ©Ilse Haider

  • Robert Pfaller in my Studio, 2002

    120 x 100cm, Indian ink on paper

    photo credits: ©Ilse Haider

    > text

  • Sir Eduardo Paolozzi, 1989

    Photograph

    My professor in the Ceramics Dept. studio at the Royal College of Art, London, photo credits: ©Ilse Haider

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Film from Scrapbooks 1945-1976 – aussortiert

  • The nude body – featuring The Unknown Author, 2013

    Film from diary scrapbooks (12 min), 1945-1976

    Film: concept/realisation: Ilse Haider, editing: Tatia Skhirtladze, video credits: ©Ilse Haider

    > text

  • Scrapbooks, 1945-1976

    30 x 21cm, collages and drawings on paper

    From issue #50/1949 and #133/1958

    > Text

  • Scrapbooks, 1945-1976

    30 x 21cm, collages and drawings on paper

    From issue #48/1947 and #56/1952

    > Text

  • Scrapbooks, 1945-1976

    30 x 21cm, collages and drawings on paper

    From issue #100/1953 and #120/1954

    > Text

  • Scrapbooks, 1945-1976

    30 x 21cm,collages and drawings on paper

    From issue #60/1951 and #100/1953

    > Text

  • Scrapbooks, 1945-1976

    30 x 21cm, collages and drawings on paper

    From issue #155/1959 and #210/1973

    > Text

  • Scrapbooks, 1945-1976

    30 x 21cm, collages and drawings on paper

    From issue #89/1951 and #145/1964

    > Text

  • Scrapbooks, 1945-1976

    30 x 21cm, collages and drawings on paper

    From issue #139/1960 and #95/1952

    > Text

  • Scrapbooks, 1945-1976

    30 x 21cm, collages and drawings on paper

    From issue #50/1949 and #121/1954

    > Text

  • Scrapbooks, 1945-1976

    30 x 21cm, collages and drawings on paper

    From issue #133/1956 and #70/1950

    > Text

  • Scrapbooks, 1945-1976

    30 x 21cm, Collages and drawings on paper

    From issue #70/1950 and #190/1968

    > Text

  • Scrapbooks, 1945-1976

    30 x 21cm, collages and drawings on paper

    From issue #221/1974 and #95/1952

    > Text

  • Scrapbooks, 1945-1976

    30 x 21cm, collages and drawings on paper

    From issue #222/1974 and #199/1972

    > Text

  • Scrapbooks, 1945-1976

    30 x 21cm, collages and drawings on paper

    From issue #211/1973 and #211/1973

    > Text

  • Scrapbooks, 1945-1976

    30 x 21cm, collages and drawings on paper

    From issue #229/1975 and #230/1975

    > Text

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Photographic emulsion on wood / acrylic paint

  • Aretha, 2022

    140 x 90 x 30cm, photographic emulsion on wood / acrylic paint

    Original: A. Franklin, 1967, publicity portrait, Atlantic Records/Everett Collection/APA-PictureDesk, photo credits: ©Ilse Haider

    > text

  • Aretha, 2022

    140 x 90 x 30cm, photographic emulsion on wood / acrylic paint

    Original: A. Franklin, 1967, publicity portrait, Atlantic Records/Everett Collection/APA-PictureDesk, video credits: ©Ilse Haider

    > text

  • Billie Eilish, 2025

    140 x 90 x 20cm, photographic emulsion on wood / acrylic paint

    Original: B. Eilish, 2019, at the music and art festival “MS Dockville”, photo: Jonas Walzberg / dpa/APA-PictureDesk.com, photo credits: ©Ilse Haider

    > text

  • KAMALA HARRIS / We are not going back, 2024

    82 x 60 x 20cm, photographic emulsion on wood / acrylic paint

    Original: K. Harris, 2024, KAMIL KRZACZYNSKI /AFP/APA-PictureDesk, video credits: ©Ilse Haider.
    > Press Information, EN> Press Information, DE

    > text

  • Amy, 2023

    138 x 90 x 15cm, photographic emulsion on wood / acrylic paint

    Original: A. Winehouse, 2007, Suzan/PA/APA-PictureDesk, photo credits: ©Ilse Haider

    > text

  • Taylor Swift, 2025

    85 x 60 x 10cm, photographic emulsion on wood / acrylic paint

    Original: T. Swift, 67th Annual Grammy Awards – Arrivals, Jordan Strauss/AP/APA-PictureDesk.com photo credits: ©Ilse Haider

    > text

  • Johnny, 2021

    80 x 60 x 20cm, photographic emulsion on wood / acrylic paint

    Original: J. Cash, 1970s, Everett Collection/APA-PictureDesk, photo credits: ©Ilse Haider

    > text

  • Monica Vitti , 2023

    85 x 60 x 15cm, photographic emulsion on wood / acrylic paint

    Original: M. Vitti in L’AVVENTURA, 1960, Everett Collection/APA-PictureDesk, photo credits: ©Ilse Haider

    > text

  • Eadweard Muybridge & Étienne-Jules Marey , 2023

    70 x 50 x 50 cm, photographic emulsion on wood / acrylic paint

    Original/side 1: E. Muybridge, 1900s, akg-images/APA-PictureDesk, Original/side 2: È.-J. Marey, 1890, Hervé Champollion/akg-images/APA-PictureDesk, photo credits: ©Ilse Haider

    > text

  • Hannah, 2022

    85 x 60 x 20cm, photographic emulsion on wood / acrylic paint

    Original: H. Arendt, 1941, Fred Stein/dpa Picture Alliance/APA-PictureDesk, photo credits: ©Ilse Haider

    > text

  • Hannah, 2022

    85 x 60 x 20cm, photographic emulsion on wood / acrylic paint

    Original: H. Arendt, 1941, Fred Stein/dpa Picture Alliance/APA-PictureDesk, photo credits: ©Ilse Haider

    > text

  • Studio view: Maria and Ava, 2017

    photographic emulsion on wood / acrylic paint

    photo credits: ©Ilse Haider

    > text

  • Marilyn, 2014

    73 x 63 x 43cm, photographic emulsion on wood / acrylic paint

    Original: M. Monroe, Marilyn Monroe, 1960s, Ullstein/APA-PictureDesk, video credits: ©Ilse Haider

    > text

  • Elizabeth, 2022

    140 x 90 x 30cm, photographic emulsion on wood / acrylic paint

    Original: Queen Elizabeth II, 1954, Illustrated London News Ltd/Mary Evans/APA-PictureDesk, photo credits: ©Ilse Haider

    > text

  • Catherine, 2022

    both: 85 x 60 x15cm, photographic emulsion on wood / acrylic paint

    Original: CATHERINE DENEUVE, 1969; THE APRIL FOOLS, Jalem Productions., Ronald Grant Archive/Mary Evans/APA-PictureDesk, photo credits: ©Ilse Haider

    > text

  • Frida Kahlo, 2024

    140 x 90 x 18cm, photographic emulsion on wood / acrylic paint

    Original: F. Kahlo, 1932, Guillermo Kahlo, Bridgeman Images/Bridgeman Art Library/ APA-PictureDesk, video credits: ©Ilse Haider.

    > text

Overview

  • Taylor Swift, 2025

    85 x 60 x 10cm, photographic emulsion on wood / acrylic paint

    Original: T. Swift, 67th Annual Grammy Awards – Arrivals, Jordan Strauss/AP/APA-PictureDesk.com photo credits: ©Ilse Haider

    > text

  • KAMALA HARRIS / We are not going back, 2024

    82 x 60 x 20cm, photographic emulsion on wood / acrylic paint

    Original: K. Harris, 2024, KAMIL KRZACZYNSKI / AFP /APA-PictureDesk, video credits: ©Ilse Haider

    > text

  • Aretha, 2022

    140 x 90 x 30cm, photographic emulsion on wood / acrylic paint

    Original: A. Franklin, 1967, publicity portrait, Atlantic Records/Everett Collection/APA-PictureDesk, photo credits: ©Ilse Haider

    > text

  • Aretha, 2022

    140 x 90 x 30cm, photographic emulsion on wood / acrylic paint

    Original: A. Franklin, 1967, publicity portrait, Atlantic Records/Everett Collection/APA-PictureDesk, photo credits: ©Ilse Haider

    > text

  • Aretha, 2022

    140 x 90 x 30cm, photographic emulsion on wood / acrylic paint

    Original: A. Franklin, 1967, publicity portrait, Atlantic Records/Everett Collection/APA-PictureDesk, video credits: ©Ilse Haider

    > text

  • Amy, 2023

    138 x 90 x 15cm, photographic emulsion on wood / acrylic paint

    Original: A. Winehouse, 2007, Suzan/PA/APA-PictureDesk, photo credits: ©Ilse Haider

    > text

  • Monica Vitti , 2023

    85 x 60 x 15cm, photographic emulsion on wood / acrylic paint

    Original: M. Vitti in L’AVVENTURA, 1960, Everett Collection/APA-PictureDesk, photo credits: ©Ilse Haider

    > text

  • Johnny, 2021

    80 x 60 x 20cm, photographic emulsion on wood / acrylic paint

    Original: J. Cash, 1970s, Everett Collection/APA-PictureDesk, photo credits: ©Ilse Haider

    > text

  • Eadweard Muybridge & Étienne-Jules Marey , 2019

    70 x 50 x 50 cm, photographic emulsion on wood / acrylic paint

    Original/side 1: E. Muybridge, 1900s, akg-images/APA-PictureDesk, Original/side 2: È.-J. Marey, 1890, Hervé Champollion/akg-images/APA-PictureDesk, photo credits: ©Ilse Haider

    > text

  • Eadweard Muybridge & Étienne-Jules Marey , 2019

    70 x 50 x 50 cm, photographic emulsion on wood / acrylic paint

    Original: E. Muybridge, 1900s, akg-images/APA-PictureDesk, photo credits: ©Ilse Haider

    > text

  • Hannah, 2022

    85 x 60 x 20cm, photographic emulsion on wood / acrylic paint

    Original: H. Arendt, 1941, Fred Stein/dpa Picture Alliance/APA-PictureDesk, photo credits: ©Ilse Haider

    > text

  • Hannah, 2022

    85 x 60 x 20cm, photographic emulsion on wood / acrylic paint

    Original: H. Arendt, 1941, Fred Stein/dpa Picture Alliance/APA-PictureDesk, photo credits: ©Ilse Haider

    > text

  • Studio view: Maria and Ava, 2017

    photographic emulsion on wood / acrylic paint

    photo credits: ©Ilse Haider

    > text

  • Marilyn, 2014

    73 x 63 x 43cm, photographic emulsion on wood / acrylic paint

    Original: M. Monroe, Marilyn Monroe, 1960s, Ullstein/APA-PictureDesk, video credits: ©Ilse Haider

    > text

  • Catherine, 2022

    both: 85 x 60 x15cm, photographic emulsion on wood / acrylic paint

    Original: CATHERINE DENEUVE, 1969; THE APRIL FOOLS, Jalem Productions./Ronald Grant Archive/Mary Evans /APA-PictureDesk, photo credits: ©Ilse Haider

    > text

  • Elizabeth, 2022

    140 x 90 x 30cm, photographic emulsion on wood / acrylic paint

    Original: Queen Elizabeth II, 1954, Illustrated London News Ltd/Mary Evans/APA-PictureDesk, photo credits: ©Ilse Haider

    > text

  • FRIDA KAHLO, 2024/b>, 2024

    140 x 90 x 18cm, photographic emulsion on wood / acrylic paint

    Original: F. Kahlo, 1932, Guillermo Kahlo, Bridgeman Images/Bridgeman Art Library/ APA-PictureDesk, video credits: ©Ilse Haider.

    > text

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Artificial stamen in silicone

  • Nudes

    Reclining male nude, 1999

    150 x 150cm, artificial stamen in silicone

    photo credits: ©Ilse Haider

    > text I

  • Nudes

    No,1999

    250 x 150cm, artificial stamen in silicone

    photo credits: ©Ilse Haider

    > text II

  • Nudes

    Male nudes (close up), 1999

    Artificial stamen in silicone

    At the Art Fair Cologne, 1999, photo credits: ©Ilse Haider

    > text II

  • Nudes

    Male nudes, 1999

    590 x 250cm, artificial stamen in silicone

    At the Art Fair Cologne, 1999, photo credits: ©Ilse Haider

    > text II

  • Nudes

    Exhibition view: Standing male nude, 1998

    180 x 70cm, artificial stamen in silicone

    At the Mumok, Prosperous Poison – On the Feminist Appropriation of the Austrian Unconscious, Vienna, 2015, photo credits: ©Ilse Haider

    > text II

  • Nudes

    Look at, 2003

    30 x 15cm, artificial stamen in silicone

    photo credits: ©Ilse Haider

  • Nudes

    Nudes (inspired by Anton Kolig), 2012, 2001

    72 x 80cm, 100 x 80cm, artificial stamen in silicone

    photo credits: ©Ilse Haider

    > text III

  • Nudes

    Male nudes, 1999, 1997

    72 x 80cm, 100 x 80cm, artificial stamen in silicone

    photo credits: ©Ilse Haider

    > text II

  • Nudes

    Exhibition view: Male nudes, 2008/2011

    250 x 150cm, artificial stamen in silicone

    At the Leopoldmuseum, nackte männer, Vienna, 2012, photo credits: ©Ilse Haider

    > text II

  • Nudes

    Exhibition view: Male nudes, 1999

    590 x 250cm, artificial stamen in silicone

    At the Speed Art Museum, Other Bodies, Louisville, 2002, photo credits: ©Speed Art Museum

    > text II

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Cotton buds

  • cotton buds

    The bungled Wedding Night, 1995

    120 x 160 x 90cm, cotton buds, silicone, electric motor

    At the Galerie der Stadt Fellbach, Good to see you, Stuttgart, 2010, photo credits: ©Ilse Haider

    > text

  • The bungled wedding night, 1995

    120 x 160 x 90cm, cotton buds, silicone, electric motor

    At the MUSA, Wien Museum, The 90s – setting 2 – subversive imaginations, Vienna, 2018, video credits: ©Ilse Haider

    > text

  • Cotton buds

    Shift of Attention, 2002, Original Playtex, 1995

    80 x 65cm, lamda print, 42 x 21cm, laser-copy on cotton buds, silicone

    photo credits: ©Ilse Haider

    > text

  • Cotton buds

    Fresh and Exciting, 1995

    each 42 x 21 x 30cm, cotton buds, silicone, electric motor

    photo credits: ©Ilse Haider

    > text

  • Cotton buds

    Etudes Académiques, 1997

    each 42 x 30 x 7cm, laser-copies on cotton buds in plexiboxes

    photo credits: ©Ilse Haider

    > text

  • Cotton buds

    Exhibition view: Renée, 1995

    68 x 56 x 20cm, cotton buds, silicone, electric motor

    At the Mumok, Blooming Poison – On the Feminist Appropriation of the Austrian Unconscious, Vienna, 2015, photo credits: ©Ilse Haider

    > text

  • Cotton buds

    Etudes Académiques, 1995, The shoe of …, 2003

    41 x 30 x 7cm, laser-copy on cotton buds in plexibox, 30 x 15 x 10cm, cotton buds, silicone

    photo credits: ©Ilse Haider

    > text

  • Cotton buds

    Etudes Académiques, 1998, Etudes Académiques, 1995

    50 x 35cm, laser-copy on paper, 41 x 30 x 7cm, laser-copy on cotton buds in plexibox

    photo credits: ©Ilse Haider

    > text

  • Cotton buds

    Studio view, 1995

    Laser-copies on cotton buds in plexiboxes

    photo credits: ©Ilse Haider

    > text

  • Cotton buds

    Marlon Brando, 1995

    70 x 50 x 6cm, cotton buds, silicone, electric motor

    photo credits: ©Ilse Haider

    > text

  • Cotton buds

    Hildegard Knef, 1995

    41 x 30 x 7cm, laser-copy on cotton buds in plexibox

    View from the front and the back, photo credits: ©Ilse Haider

    > text

  • Cotton buds

    Always Honeymoon, 1995, In order, 1992

    70 x 50 x 6cm, carpet of cotton buds (l), silicone, electric motor, 30 x 22 x 8cm, laser-copy on cotton buds (r)

    photo credits: ©Ilse Haider

    > text

  • Cotton buds

    Exhibition view: Leave me alone, 1998, The bungled wedding night, 1995

    each 150 x 190 x 50cm, silicone, artificial stamen, electric motor, silicone (l), cotton buds, silicone, electric motor (r)

    At the Galleri Charlotte Lund, Stockholm, 1998 (l) at Kunsthalle, Vienna, 1995 (r), photo credits: ©Ilse Haider and ©Chrsitian Wachter

    > text

  • cotton buds

    The bungled Wedding Night, 1995

    120 x 160 x 90cm, cotton buds, silicone, electric motor

    At the Rupertinum, Museum der Moderne, Objekte und Fotografien, Otto Breicha-Preis für Fotokunst, Salzburg, 2011, photo credits: ©Kai Kuss, MdM

    > text

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Found Footage – Archive of images

  • The nude body – featuring The Unknown Author, 2013

    Film from diary scrapbooks (12 min), 1945-1976

    Film: concept/realisation: Ilse Haider, editing: Tatia Skhirtladze, video credits: ©Ilse Haider

    > text

  • The nude body – featuring The Unknown Author, 2013 (clip from film part I)

    > text

  • Scrapbooks, 1945-1976

    30 x 21cm, collages and drawings on paper

    From issue #50/1949 and #133/1958

    > text

  • Scrapbooks, 1945-1976

    30 x 21cm, collages and drawings on paper

    From issue #48/1947 and #56/1952

    > text

  • Scrapbooks, 1945-1976

    30 x 21cm, collages and drawings on paper

    From issue #100/1953 and #120/1954

    > text

  • Scrapbooks, 1945-1976

    30 x 21cm, collages and drawings on paper

    From issue #60/1951 and #100/1953

    > text

  • Scrapbooks, 1945-1976

    30 x 21cm, collages and drawings on paper

    From issue #155/1959 and #210/1973

    > text

  • The nude body – featuring The Unknown Author, 2013 (clip from film part II)

    > text

  • Scrapbooks, 1945-1976

    30 x 21cm, collages and drawings on paper

    From issue #89/1951 and #145/1964

    > text

  • Scrapbooks, 1945-1976

    30 x 21cm, collages and drawings on paper

    From issue #139/1960 and #95/1952

    > text

  • Scrapbooks, 1945-1976

    30 x 21cm, collages and drawings on paper

    From issue #50/1949 and #121/1954

    > text

  • Scrapbooks, 1945-1976

    30 x 21cm, collages and drawings on paper

    From issue #133/1956 and #70/1950

    > text

  • Scrapbooks, 1945-1976

    30 x 21cm, collages and drawings on paper

    From issue #70/1950 and #190/1968

    > text

  • Scrapbooks, 1945-1976

    30 x 21cm, collages and drawings on paper

    From issue #221/1974 and #95/1952

    > text

  • Scrapbooks, 1945-1976

    30 x 21cm, collages and drawings on paper

    From issue #222/1974 and #199/1972

    > text

  • Scrapbooks, 1945-1976

    30 x 21cm, collages and drawings on paper

    From issue #211/1973 and #211/1973

    > text

  • Scrapbooks, 1945-1976

    30 x 21cm, collages and drawings on paper

    From issue #229/1975 and #230/1975

    > text

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Early Works

  • Open Monuments

    Susie with Violin, 1990, Alex as Harlequin, 1998

    20 x 15 x 7cm, 10 x 15 x 4cm, photographic emulsion on ceramics

    photo credits: ©Ilse Haider

  • Open Monuments

    Selfportrait with Guitar, 1989, Suse, Craig and David, 1989

    20 x 15cm, photographic emulsion on wood (l), photo (r)

    photo credits: ©Ilse Haider

  • Open Monuments

    Alex as Harlequin, 1989

    Photo

    photo credits: ©Ilse Haider

  • [Untitled], 1988

    30 x 42 x 4cm, photographic emulsion on varnished plaster

    Original: found footage, photo album, 1930s, photo credits: ©Ilse Haider

  • [Untitled], 1988

    20 x 15 x 4cm, 30 x 42 x 4cm, photographic emulsion on varnished plaster

    Original: found footage, photo album, 1930s, photo credits: ©Ilse Haider

  • Wedding, 1988

    20 x 20 x 10cm, 30 x 42 x 4cm, photographic emulsion on varnished plaster

    Original: found footage, photo album, 1930s, photo credits: ©Ilse Haider

  • Mike and Jane, 1989

    each 20 x 15 x 10cm, photographic emulsion on wood

    photo credits: ©Ilse Haider

  • From series: Animals in front of a white background, 1989

    Photosession at Malerwochen Stift Rein, Styria

    photo credits: ©Ilse Haider

  • From series: Animals in front of a white background, 1989

    Photosession at Malerwochen Stift Rein, Styria

    photo credits: ©Ilse Haider

  • From series: Animals in front of a white background, 1989

    Photosession at Malerwochen Stift Rein, Styria

    photo credits: ©Ilse Haider

  • C*nt, 1989, Pr*ck, 1989

    70 x 56 x 12cm (l), 70 x 58x 14cm (r), photographic emulsion on wood

    photo credits: ©Ilse Haider

    > text

  • F*ck, 1989, Pl*nk*r, 1989

    40 x 30 x 10cm (l), 60 x 50 x 4cm (r), photographic emulsion on wood

    photo credits: ©Ilse Haider

    > text

  • Medium, 1990, Untitled, 1991

    40 x 22,5 x 2 cm (l), 50 x 40x 8cm (r), photographic emulsion on wood and clothespins

    photo credits: ©Ilse Haider

    > text

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