Skip to main content

2 Eschen / 2 Ashes

Written by ilsehaider on 31. October 2022. Posted in Public Space.

2 Eschen

Verbandsgrundschule München-Karlsfeld

Ash 1, 2021
10 x 6m, atrium 1, high-pressure laminated FunderMax panels
Facade view, Verbandsgrundschule Karlsfeld, Munich, Architecture: ALN LEINHÄUPL+NEUBER BKS & PARTNER ARBEITSGEMEINSCHAFT, Client: QUIVID, photo credits: ©Ilse Haider
A big thank you goes to the many different people who got involved in the project and offered their support.
> text
Ash 2 (Fraxinus excelsior), 2024
10 x 6m, atrium 2, high-pressure laminated FunderMax panels
facade view of 2nd atrium in 2nd building at Verbandsgrundschule Karlsfeld, Munich, Architecture: ALN LEINHÄUPL+NEUBER BKS & PARTNER ARBEITSGEMEINSCHAFT, Client: QUIVID, photo credits: ©Ilse Haider
A big thank you goes to the many different people who got involved in the project and offered their support.
> text
Making-of photogram Ash 1, 2019
Ash tree in its natural environment, Zöbern
photo credits: ©Ilse Haider
> text
Making-of photogram Ash 1, 2019
Felling and Transport Ash 1
photo credits: ©David Lindinger
> text
Making-of photogram Ash 1, 2019
Arrival at the Music hall, Zöbern
photo credits: ©Ilse Haider
> text
Making-of photogram Ash 1, 2019
Preparing the tree for exposure, Music hall, Zöbern
photo credits: ©Andreas Klinger
> text
Making-of photogram Ash 1, 2019
Exposure of the photographic paper beneath the tree, Music hall, Zöbern
photo credits: ©Ilse Haider
> text
Making-of photogram Ash 1, 2019
Darkroom equipment consisting of Making-of photogram Ash 1, Music hall, Zöbern
photo credits: © Ilse Haider
> text
Making-of photogram Ash 1, 2019
Fully developed photograms, Music hall, Zöbern
photo credits: ©Ilse Haider
> text
Making-of photogram Ash 1 and Ash 2, 2019
Fully developed photograms, reconstructed, Music hall, Zöbern
photo credits: ©Ilse Haider
> text
Ash 1, 2021
left: 10 x 6m, atrium 1, high-pressure laminated FunderMax panels
right: 10 x 6m, original photogram of Ash tree 1, Music hall, Zöbern, photo credits: ©Ilse Haider
> text
Ash 1, 2021
left: 10 x 6m, atrium 1, high pressure laminated FunderMax panels
right: Cyanotype-photogram-workshop, Verbandsgrundschule Karlsfeld, Munich, photo credits: ©Ilse Haider
> about the workshop
Cyanotype-photogram workshop, 2022
Verbandsgrundschule Karlsfeld, Munich
photo credits: ©Ilse Haider
> about the workshop
Cyanotype-photogram workshop, 2022
Verbandsgrundschule Karlsfeld, Munich
photo credits: ©Ilse Haider
> about the workshop
Cyanotype-photogram workshop, 2022
Verbandsgrundschule Karlsfeld, Munich
photo credits: ©Ilse Haider
> about the workshop
Cyanotype-photogram workshop, 2024
Verbandsgrundschule Karlsfeld, Munich
photo credits: ©Ilse Haider
> about the workshop

FURTHER INFORMATION

Continue reading

Mr. Big

Written by ilsehaider on 3. October 2012. Posted in Public Space.

Mr. Big, 2012
9 x 3 x 4,2m, digital print on wood
On the occasion of the exhibition nude men. from 1800 to the present day, Leopold Museum, Vienna, photo credits: ©Ilse Haider
> press release I
Mr. Big, 2012
9 x 3 x 4,2m, digital print on wood
On the occasion of the exhibition nude men. from 1800 to the present day, Leopold Museum, Vienna, photo credits: ©Ilse Haider
> press release I
Mr. Big, 2012
9 x 3 x 4,2m, digital print on wood
Field trip of the Pedagogical University Salzburg, Leopold Museum, Vienna, photo credits: ©Ilse Haider
> press release I
Mr. Big, 2013
9 x 3 x 4,2m, digital print on wood
Photo session with friends and tourists visiting, Leopold Museum, Vienna, photo credits: ©Ilse Haider
> press release I
Mr. Big, 2013
9 x 3 x 4,2m, digital print on wood
Friends and tourists still around, Leopold Museum, Vienna, photo credits: ©Ilse Haider
> press release I
Exhibition view: Mr. Big, 2006
5,2 x 2,8 x 1,2m, digital print on chipboard
Group photo with exhibition visitors, Galerie Steinek, Vienna, photo credits: ©Ilse Haider
Exhibition view: Mr. Big, 2006
5,2 x 2,8 x 1,2m, digital print on chipboard
Galerie der Stadt Fellbach, Stuttgart, 2010, photo credits: ©Ilse Haider
Exhibition view: Mr. Big, 2006
5,2 x 2,8 x 1,2m, digital print on chipboard
Rupertinum/MdM, Salzburg, 2011, photo credits ©Ilse Haider
Mr. Big, 2013
9 x 3 x 4,2m, digital print on wood
Big, lonely, naked, cold, Leopold Museum, Vienna, photo credits: ©Ilse Haider
> press release I
Mr. Big, 2013
9 x 3 x 4,2m, digital print on wood
Still cold, Leopold Museum, Vienna, photo credits: ©Ilse Haider
> press release I
Mr. Big, 2012
9 x 3 x 4,2m, digital print on wood
At the opening of the exhibition nude men. from 1800 to the present day, Leopold Museum, Vienna, photo credits: ©Ilse Haider
> press release I
Mr. Big, 2013
9 x 3 x 4,2m, digital print on wood
On the occasion of Nacktabend/Nude Evening, Leopoldmuseum, Vienna, photo credits: Leopold Museum/APA-Fotoservice/©Katharina Rossboth
> Press release II
Mr. Big, 2012
9 x 3 x 4,2m, digital print on wood
Group photo at the presentation of Mr. Big, Leopold Museum, Vienna, photo credits: ©Ilse Haider
> press release I
Mr. Big, 2012
9 x 3 x 4,2m, digital print on wood
At the opening of the exhibition nude men. from 1800 to the present day, Leopold Museum, Vienna, photo credits: ©Ilse Haider
> press release I
Mr. Big _ take away (AE), 2012
40 x 30cm, letterpress print with embossing, printed by: Eva Möseneder, Salzburg
Special edition of the Leopold Museum, Vienna, limited and signed letterpress prints with embossing in 4 colors of 25 pieces, photo credits: ©Ilse Haider
Mr. Big, 2013
9 x 3 x 4,2m, digital print on wood
Deconstruction of Mr. Big, Leopold Museum, Vienna, photo credits: ©Ilse Haider
Exhibition view Mr. Big refurnished, 2015
Kitchen: 4,2 x 2 x 2m, shelfs, digital print on wood
Galerie Steinek, Vienna, photo credits: ©Ilse Haider
> press release

Press reviews

Film Boards
30 x 40 cm Photographic emulsion on wood
Original: Ossessione / Luchino Visconti, Roma cità aperta / Roberto Rossellini, Der Verlorene / Peter Lorre, Paisà / R. Rossellini, Ladri di biciclette/ Vittorio de Sica, Stromboli / R. Rossellini, Riso amaro / Giuseppe De Santis, La Paura / R. Rossellini, Germania anno zero / R. Rossellini
ORIGINAL TEXT CLICK HERE
Anna Magnani, 2018
123 x 130 x 30cm, Photographic emulsion on wood and acrylic paint
Original: 1950s, Everett Collection / picturedesk.com.
> text
Anna Magnani, 2018
123 x 130 x 30cm, Photographic emulsion on wood and acrylic paint
Original: 1950s, Everett Collection / picturedesk.com.
> text
Film Boards
30 x 40 cm Photographic emulsion on wood
Original: Ossessione / Luchino Visconti, Roma cità aperta / Roberto Rossellini, Der Verlorene / Peter Lorre, Paisà / R. Rossellini, Ladri di biciclette/ Vittorio de Sica, Stromboli / R. Rossellini, Riso amaro / Giuseppe De Santis, La Paura / R. Rossellini, Germania anno zero / R. Rossellini
> text

Continue reading

Venus and Antinoos

Written by ilsehaider on 26. January 2001. Posted in Public Space.

Wall design with large scale photographic alcoves, 1996
8 x 4,5 x 1m, photographic emulsion on wood / acrylic paint
photo credits: ©Ilse Haider
Wall design with large scale photographic alcoves, 1996
8 x 4,5 x 1m, photographic emulsion on wood / acrylic paint
photo credits: ©Ilse Haider
Wall design with large scale photographic alcoves, 1996
8 x 4,5 x 1m, photographic emulsion on wood / acrylic paint
photo credits: ©Ilse Haider
Prototype for wall designed alcoves: Venus of Naples, 1995
200 x 50 x 50cm, photographic emulsion on wood
At the Kunsthalle, Glaube-Hoffnung-Liebe, Tod, Vienna, 1996, photo credits: ©Ilse Haider

Continue reading

Belle Etage

Written by ilsehaider on 25. January 2000. Posted in Public Space.

Ceiling Design, 2000
7 x 4.5m, backlit digitally printed photomontage
Subway station U3-Enkplatz, Station shaft, Gottschalkgasse exit, concept and realisation in cooperation with Mona Hahn, photo credits: ©Ilse Haider/Wiener Linien
> text
Ceiling Design, 2000
7 x 4.5m, backlit digitally printed photomontage
Subway station U3-Enkplatz, Station shaft, Gottschalkgasse exit, concept and realisation in cooperation with Mona Hahn, photo credits: ©Ilse Haider/Wiener Linien
> text
Ceiling Design, 2000
7 x 4.5m, backlit digitally printed photomontage
Subway station U3-Enkplatz, Station shaft, Gottschalkgasse exit, concept and realisation in cooperation with Mona Hahn, photo credits: ©Ilse Haider/Wiener Linien
> text
Ceiling Design, 2000
7 x 4.5m, backlit digitally printed photomontage
Subway Station U3, Enkplatz, Exit Gottschalkgasse, concept and realisation in cooperation with Mona Hahn, photo credits: ©Ilse Haider/Wiener Linien
> text

Continue reading

A Laboratory in the Park

Written by ilsehaider on 21. November 1988. Posted in Public Space.

Model studies on the roof of the Academy of fine Arts, Vienna, 1988
> text
Design drawing for the project, 1988
Collage on paper
The idea was to expose the naked body of a blonde, athletic man onto the classic columns of the Theseustemple. After a period of time the image should decompose on its own and peel off through environmental influences.
> text
Photolab test arrangement at the studio, 1988
2 x 1,2m, photo emulsion on plastic film
We tried out the coating and developing of a self built replica of the column of the Theseustemple. photo credits: ©Ilse Haider
> text
Darkroom at the Theseustemple, 1988
Construction of the mobile darkroom
The darkroom was built around the 3rd column to be developed. photo credits: ©Ilse Haider
> text
Darkroom at the Theseustemple, 1988
Construction of the mobile darkroom
The darkroom was built around the 3rd column to be developed. photo credits: ©Ilse Haider
> text
Darkroom at the Theseustemple, 1988
Final Construction of the mobile darkroom
The darkroom was built around the 3rd column to be developed. photo credits: ©Ilse Haider
> text
Exposed and developed image, 1988
Photographic emulsion on plastic foil
Due to the humid and cold weather conditions the photographic emulsion did not completely dry. Therefore, the image could not be properly developed. photo credits: ©Ilse Haider
> text
Relief in memoriam of the project, 1988
Photographic emulsion on plaster
photo credits: ©Ilse Haider
> text

Continue reading